okay, so SO much has happened in the last week that I have paid about as much attention to this blog as that family in Oklahoma did to their kids. The past week was The Armory Show week in New York, with its proliferation of off-shoot art fairs, so my ass hustled a week-long blog for TheFanzine.com. After that, I was understandably exhausted. I made a lot of friends but the last thing I wanted to do come Monday morn' was talk to folks, and so I engaged in the kind of recharging that always helps to get me back on my feet. I watched five movies. Mostly from bed.
1. It Came from Kuchar. Still high off of (amongst other things) the Volta exhibition of George Kuchar's photographs - the booth bestowed with the Golden Fag award (aka best in show) by Art Fag City - I settled into Jennifer Kroot's 2009 documentary about the fabulous brothers, George and Mike, who made loving 8mm approximations of the Hollywood pictures they encountered growing up in the Bronx. It's a very well assembled documentary that even plays up the brothers' propensity for repeating themselves; one scene intercuts between a singular story recounted nearly verbatim by either brother. It's a situation mirrored by my recent attendance at a panel discussion between George and curator Ed Halter. George told many of the stories contained in the film, with less reserve. But, at the end of the day, the film is great to just watch George work with his students at SFAI as they toil on their yearly creature feature.
2. Did You Hear About the Morgans? Industrial filmmaking at its most dire. Lazy, thoughtless and chemistry-free, Hugh Grant and Sarah Jessica Parker play off their hum-drum star texts (cheating Brit and Uptown power Jewess, respectively) to produce little fizzle in this clunker. Then fairytale ending, which combines pregnancy, a thus redundant adopted Chinese baby and a palatial Central Park West apartment spins a fantasy narrative while sickening, far more honest and original than any of the preceding hour and twenty minutes.
3. The Manitou THRILL OF THE NIGHT. I can't help but recount the premise of this true delight to everyone I've wandered across since my viewing. A woman discovers that the cyst on her neck is actually a fetus that contains the reincarnation of a Native American medicine man! AMAZING. And there to make it more amazing is Tony Curtis! Circe 1978 Tony Curtis playing a cassa nova. MORE AMAZING. The ending must truly be seen to be believed when, after the medicine man is born, rational white man magic is used to defeat the midget witch doctor when channeled through the palms of its topless... mother?
5. Disclosure I have to say, Disclosure is a really disturbing film. From it sputters the death rattle of popular feminism. When Demi Moore's disarming leads to a final victorious ain't-life-grand close-up of Michael Douglas, as his white face beams privilege from his corporate office, and this is the projected "happy ending," with accompanying revelry music, I was more than unsettled. But by then it was 2:30 and I just slumped off to bed.